Jim worked for several companies over the years: Boeing Aircraft and LTV as the top two. I am not sure what he did for LTV (which now has a different name) - he said that he couldn't talk about it. LTV helped make stuff that was used in the Spy networks (sometimes referred to as "spook" business). I do know 2 things he did. He worked on a radar type unit for small fast flying planes which flew close to the ground. Hmmmmmm And he help to design the automated government postal mail system that is used in the USA today. He refused to discuss this stuff so we would make up our own stories.
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Back to high school.
When we were in the junior high years, we formed a band - not really rock n roll - just a group. Rock n Roll was not quite going yet. We called our band The 3 M's. Metze, Metze, and McKay. Jim played upright (string) bass, Doc McKay was the drummer, and I played piano or Accordion. We had a small following of fans (our mothers and fathers, very close relatives, and girl friends if we had one).
We played our first dance that year for the Lubbock Country Club. I was an 8th grader; they were in the 9th grade. Doc's parents got us the gig. Just couldn't say what possessed them to do that. We were good of course (JHS students). Played all the regular songs - well, I played them on the accordion and the other two kept rhythm. We played on a little stage. The audience sat and wondered.
After about 15 - 30 minutes, they paid us off - $5 each. We left and drove downtown Lubbock to see a movie - Doc's parents stayed behind and danced the night away to the Country Club's juke box. It was a good thing Doc was there to drive them home later. We were dumb enough to think that was fun. And, it was fun. Made 5 bucks - got to see a movie - my first taste of drunken adults dancing at a country club.
Over the years we would add and subtract a few people to the group. That was all there was to that. Later in H.S. we would use the name Saints at times. That seemed good. Several of our local h.s. band fellow members played with us. We didn't use music. Had none.
You may have to think about this for a moment. One of our band members was Frank Lawlis. He would play the bass fiddle when Jim played trombone. There is a guy on TV who does the psychology shows - I forget his name Dr. what's his name -- Oft times he goes out in the audience to talk with his his college mentor - Dr. Frank Lawlis. touch of fame there.
One time we were hired to play for a dance at the local rodeo. We knew lots of songs and people could dance to our stuff. Rodeo Dance. An Experience. Well, some folks thought we might not be fully okay - bunch of high school kids. So, they hired this local guitar playing man to play with us. We were not consulted before hand. He was a country guitar player. Only songs he knew were country and western - all in the keys of E or B. For those uneducated in this, those are tough keys. Lots of sharps. We were (pardon the expression) Classically Trained musician. He wasn't.
His big song was the Sheik of Araby. I had never heard of it before the dance; I knew it by the end of the night - in the key of E. Couldn't tell you how the audience enjoyed the dance music. We boys had a good time - and so did the Sheik. The guitar player? not so much. He never did call us back and offer to go on tour. That was okay; we were in h.s. and couldn't leave town anyway.
An extra aside here = Levelland had a strong population of Baptist and Church of Christ members. They had a pretty good strangle hold on the town. Our school never had dances. Dancing was not allowed. However, during my Junior year (Jim & Doc's senior year) protesters sponsored a dance at the new hotel downtown. It was quite scandalous. We didn't have one the next year. Our group, the Saints, played for the dance splitting time with a local h.s. rock group, the Sparkles. I think the Sparkles are still performing out there at local taverns.
We were able to play a 4 hour dance. One of my favorite stories about that night - - as with most groups, we'd play some song and then take individual solos to stretch the music out longer. We had this rock-type riff that we played early in the show. Play the riff, take a solo; play the riff, someone else makes up a solo; and so forth. The kids (hs dancers) kept coming back up and asking us to play the song again. We did, of course. Who doesn't like getting requests? It turns out that our riff that we made up had been recorded by some name group - Nowadays they call it Tequila. We didn't know. But the audience did. Play it again, Sam.
During Jim and Doc's last couple of years in high school, they somehow met up with this Sonny West character. He was an Elvis almost look alike - actually a lot different looking, but the same type of snear. Sonny had a lead guitar player named Buddy Smith. I do not have the slightest idea what happen to him after Sonny quit working with Jim & Doc. Buddy was a terrific guitar player. Sonny pretty much played rhythm guitar. All of this was done in Levelland, which is located 30 miles west of Lubbock. They usually rehearsed at Doc's house. Doc's mom was the local dance teacher (ballet, tap, etc.) so she had a fairly large facility for them to use. It had a low ceiling, but that just made the music better and louder.
During that time, they recorded Rock-Ola-Ruby and some other songs. It was released on a 45 rpm record. Sonny used his recordings as demonstrators to sell his original songs to other performers. Yes, he had dreams of making the big time and selling a million records. None of his own records sold that much. A couple of his songs did quite well with other performers. Buddy Holly did a couple of his songs. Sonny eventually was put in the Rockabilly Hall of Fame for his writing. Now that is note worthy.
Sonny's group performed in the area several times. Back then, many small town local movie theaters would put on a stage show sometimes between feature films on Friday or Saturday nights. Different bands would perform. "Battle of the Bands" I never played for any of these shows, but attended a couple as I rode along with Jimmy and helped Doc set up his drum set....nowadays, I would have been a roadie.
As a side thought. They recorded at a studio in Clovis, New Mexico - at the Norman Petty studio. Norman Petty was a known professional jazz organist whose recording of "Mood Indigo" seemed to be a big deal ... I knew it at the time. Played it for my dances ... on accordion / piano.
Now this next part I cannot verify - Apparently, Norman was not always a nice person. People would record in his studio - tapes and vinyl - and Norman would put his name on the recording as a co-writer. He'd get the performers to sign contracts before recording. I'm not sure of the details. It is just something I've heard. More Money. Most area bands were just so glad to be recording, they never quite figured out that he was messing with them. It is my understanding that Buddy Holly and the Crickets recorded out of that studio. I do not know if Sonny West had any problems with Petty.
I recorded two songs with them. I will try to remember the names of the songs. Sonny, Buddy, Jim, Doc, and me on piano. He brought in 3 local high school girls as backup singers. Tilghman, Tyler, and Beck ---- Betty Tilghman, Sandra Tyler, and Betty Beck. They did a good job as back up doo-wops. The recording session lasted most of the day in Clovis. I remember a couple of nonsense things - Norman Petty was a really friendly guy to us - and helpful with suggestions. To make Doc's snare drum sound better, he had Doc beat on a cardboard box. It made a good sound for the recording - you couldn't tell it was a box, which says a lot for the snare drums in those days.
During one break, I did start playing Mood Indigo. Norman Petty looked up from behind the glass and broke into a smile.
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Now this is just another bit. Most songs were written in the keys of E or A. Apparently, those are easier keys for the guitar. Since most of these guitar players were playing "by ear," one key was just as good as another especially if it laid well on the guitar. As a piano player, I was raised playing in Bb, F and C - cause those are the easiest for inexperienced piano players - no sharps or major flats to speak of. I had fits getting the rockabilly boogie type bass line going in the key of E. It was good for me to play in that key though ... great experience. They gave me an 8 bar piano solo in one of the songs. I played primarily a chord progression on that solo - absolutely nothing to brag about - if you ever find that record, I missed one chord on the final recording.
Doc was an excellent drummer for the time. I believe it comes naturally to some people. He played well and kept time great. Many drummers can't seem to keep time straight. Doc was good - a barrel of laughs - and ready for about anything. After high school, I believe he went to Hardin Simmons Univ in Abilene - He eventually ended up in Denver as a EMT. Emergency Medical Technician - ambulance etc. His wife Bonnie still lives in Denver. Her maiden name was Bonnie Brooks. Back then, she was a perfect fit for Doc - fun loving - full of energy. My brain is failing me here, Doc is not his given name. He had a regular given name - which I should remember. Nobody called him anything except Doc.
Jim's slap bass playing - it was the style and self learned. Nobody taught him how. He did not have an expensive string bass (bass fiddle). The slapping would mess up his right hand. He learned to cover his right hand fingers with tape or band-aids to keep the blisters from forming. Regarding Jim's bass playing, he had a good ear and knew where the appropriate notes were found on the bass. He played the right notes for the chords. I have seen other bass players who just slapped around and made noise - Jim's noise was actually music. We both had been trained to read music and hear right notes.
Later when we traveled for some jobs, he would put that big ole bass over the front & back seats of the car, letting the neck extend into the front seat. There wasn't much room for humans in the car after the bass went inside. During 1963 I bought a big Pontiac, and we carried the bass inside the trunk of the car - much safer.
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When Jim & Doc went off to college, that pretty much ended their time with Sonny. After my recording session, Sonny found a better piano player which was fine. I can't remember the guy's name. Strange kid from somewhere back east who was living with his Levelland uncle, a chiropractor - but he could play piano ... lot better than me. I was jealous.
Now for a couple of things you had in your first note. [remember that I am writing to a guy in Spain] Jim played trombone, not sax. He was a terrific trombone player. I still have the trombone in my garage. I was the trumpet player of the bunch. When we had certain songs and extra people, we would play our horns more than the bass and piano.
I wish I could give you more Sonny West info. I will look for photos & the record. I have a lot of stuff in storage since I am getting older and running out of space in my house to keep treasures. As I get older, I talk too much. You may have noticed that old guys can ramble and ramble. That's me.
One of the things I remember about Jim and Doc. They played pinball daily. I believe they had a skill here too. If I come up with something else, I'll let you know. Got questions? I may know the answer. May not.
Mike mtz "
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